Beppe Fenoglio is almost
entirely unknown to English-language readers, even to those who might have tried
his countrymen and near contemporaries Pavese or Calvino. The fault (and it may
be banal to say so, but the banality of it doesn’t make it any less true), lies
with the reluctance of English-language publishers to publish work in
translation and perhaps with the same inexplicable prejudice against
simplicity, prevalent in literary circles, that has deprived English-language
readers of the excellent work of the Catalan Josep Pla and the Peruvian Julio
Ramón Ribeyro.
Fenoglio, who died of a
respiratory ailment just days before he would have turned forty-two (one’s own
age), fought in the partisan war of 1944–1945; much of his work draws on this
experience. The story posted below was found only after his death; it was
untitled (anepigraphic, if you want to get fancy) and very probably unfinished.
Of himself Fenoglio once wrote, “Ho una strana potenza di parola [I have an odd
power with words].” It’s no idle boast.
*
I knew my buddy Jerry was
writing about the war. Too often, I’d caught sight of him intent on writing,
feverishly, sitting under a tree or leaning on a low wall; sometimes he would
go on writing until dark, facing the last of the sunlight.
He would write—picking up
and discarding a huge number of pencils every five minutes—in little schoolboy
notebooks. I figured he had to have filled at least a half a dozen of them, counting
from when he had transferred to my unit, of course. Before, he was with
Giorgione at the detachment in Castagnole. I knew, too, that he didn’t like the
town: he didn’t like that it was on the plain, that it was split into two
cores. He didn’t like that it had a train station (even though the line had been
cut since the spring of ’44); he didn’t like the population; he didn’t even
like the sound of the Castagnole bells.
I would see him write and had no doubt he was writing about
the war. I remember that when I became convinced of it a phrase of Lawrence’s (the
good one, the colonel) immediately came to mind: “. . . to pick
some flowers . . .” But I concluded that I couldn’t—I really
couldn’t—attribute it to him lightly.
“It’s an idea,” I said to
myself commentarily. “This stuff will sell afterwards. Publishers will be all
over this stuff afterwards, for at least ten years. But will there be an
afterwards for Jerry?”
And from out of the corner
of my eye, and from afar, I watched him write in those little notebooks of his,
and meanwhile I asked myself if Jerry would make it through the war. I was
slightly moved and, at the same time, slightly irritated by this kid (short, a
fairly big head with overly sparse and overly thin blond hair, a slightly
skinny chest, and proportionally overdeveloped thighs) who wrote in such
solitary fashion, so feverishly and absorbed, surrounded by the whirl of
activity of his companions, rash, extroverted, and community-minded even in
idleness.
From a certain obstinacy
of his and from a certain movement of his hands, I got the impression that he
must have been mixing the writing with drawings and sketches—the profile of a
buddy, a view of hills, the arrival of a truckload of ammunition—but I was
wrong.
One evening I literally
ran into him. I turned into the low road around Mango and nearly found him
underfoot. He had actually sat down just to the side of the road, on the grass
already damp, facing the last sunlight.
Jerry shut his notebook
with a slap, then uneasily opened it back up.
I sat down as far away as
possible and offered him an open pack of Craven A.
He said no with a hand
still armed with a pencil.
“I like everything
English—”
“I know.”
“Except the tobacco. It
almost makes me throw up. I don’t know why.”
I had lit it.
“You writing about the
war, eh, Jerry?”
“Notes,” he said
hurriedly.
“Notes on the war,” I
suggested.
“Of course,” he said a bit
belligerently.
He had caught the vaguely
ironic tone I was using and, oddly, was unable to put right. So, since I
couldn’t manage anything other than a strained seriousness, I tried to make it
at least nicely ironic.
“And . . . are they
working out?” I asked stupidly.
“You can’t say that about
notes. They’re just notes.”
He had gotten me, and for
a second I took a drag on a Craven A.
“You know,” I said then,
“what Walt Whitman said about war? He was talking about the War of Secession, but
of course it goes for all wars.”
His face, nearly blotted out by the darkness, was shining with curiosity.
“The real war will never
get in the books,” I cited in English.
“It’s true, very true,” he
said. “I’m noticing it myself. It’s like emptying the sea with a little pail.”
Then, with apparent
tension, he started.
“What did you do in life?”
“I taught English language
and literature.”
“Ah,” he said rather bashfully.
It was getting cold. The
cold, nearly liquid, was rising from the nearby ravine.
“You’re doing it for
publication, I hope?” I went on.
“I hope so,” he said with
a kind of non-hope.
“All the publishers will
be interested in this kind of literature. And . . . will it
be something purely factual or something . . . decidedly
artistic?”
“Artistic . . . I hope,”
he replied in that non-hope tone of his. “As factual documents, they’re not
even worth my lugging them around with me.”
He was talking about the notebooks:
so there must have been several.
It was perfectly clear to
me that our dialogue had a resolutely literary and insubstantial tone made up
of courtesies on my part and [reticence] on Jerry’s. But it was to my liking:
for months I had uttered only words that were not words but mud, blood and fire
and flesh . . . since the day I’d gone for tea with Fulvia
Pagani at her villa in the first spurs of the hills above Alba, occupied by
2,000 Fascists.
I didn’t have the
slightest desire to have a look at so much as a single page, yet you could see
Jerry was tormented by the fear I would ask him to. I wanted to relieve him of
that suffering, but I really didn’t know how to tell him so.
“Where does your diary
start from?”
“It’s not a diary!” he
blurted out.
“Whatever it is. Where
does it start?”
“At the beginning. At my
beginning.”
“When did you come?”
“In June.”
“You chose well. Those
were splendid months. We had an empire, you could say, and—”
He cut me short almost
angrily.
“Just a second. It’s true
I came in summer, but for me there was trouble right away. I joined up the
twenty-third of July and by the twenty-fourth my life was worth next to
nothing. Don’t you remember what happened the twenty-fourth of July?”
Just then I didn’t
remember. So much had happened. . . .
“On the Bricco di Avene,”
Jerry said to me.
It came back to me instantly.
Orlando’s folly, seven or eight dead on our side, none on theirs.
“Ah, you were one of
Orlando’s bunch?” I asked without real interest.
“Right, one of that madman
Orlando’s bunch! Will you go ahead and say I turned up at the right time again?
A guy who shows up the twenty-third and the twenty-fourth finds himself up to
his neck in one of the finest massacres—”
“Fine.”
This time I interrupted.
“Still, it was even
tougher later.”
“Not for me,” he said. “I
haven’t found myself with my back to the wall the way it was the twenty-fourth of
July. But on the whole I admit that it got infinitely harder. For me,
everything sprang, all the hard stuff, from taking Alba. It was there for the
taking, but we should have resisted the temptation.”
“It was a mistake, and
we’re not here to see if it was magnificent or not. I was one of the ones who
said it was a mistake, but when I went in I got drunk with joy like everybody
else, and I nearly cursed myself for having thought otherwise. And, what’s
more, I even thought, despite all of the blindingly obvious evidence to the
contrary, that we could hold it.”
I stirred uneasily on the
grass and resumed:
“But whether we’d taken it
or whether we’d left it to that garrison of fools we still would have gotten
that big November thrashing.”
“True,” admitted Jerry.
“And so let’s be thankful
we lost Alba,” I said. “Let’s thank the forces from Turin that kicked us out by
coming from the river. If they hadn’t managed, we would have stayed in the city
and the divisions that attacked us from the south would have been on us. And
all of us, as many as we were, would have drowned in the Tanaro. Remember how
high it was?”
Jerry nodded deeply.
“As high water, it was terrifying.
But as a protective barrier it was really comforting.”
I smiled.
“Is the flood of the river
in Alba in your diary?”
“Of course.”
“That must be a good bit.”
“I hope so.”
“Well then,” I said
conclusively, getting up.
That very evening Jerry
came over to me at mess. There was a hellish clamor of voices, and Jerry
couldn’t make himself understood in a normal voice. I saw in his eyes a plea
for me to go out for a bit with him, but I’d had enough of literature, had
enough of it for a while, and I didn’t do as he wanted me to, with no little
callousness. So he was forced to explain himself loudly, and you could tell it
was making him suffer. He had come to tell that if anything happened to him he
had arranged for all of his notebooks to be handed over to me. I could do
whatever I wanted with them, whatever I thought best . . . in
his memory. That’s exactly what he said. I remember I thanked him as soberly as
I could: I mentioned only that in the overall turmoil the arrangements he had
made might come to nothing. But he answered me, with nearly fanatical
certainty, that I would get the manuscripts without fail
if. . . . I remember as well that I didn’t tell him that nothing
would happen to him and that he would be going back to Turin with his rucksack
crammed full with those notebooks. We had gone too far, too far, for that sort
of reassurance.
He left me immediately
afterwards. He had been seconded to the English mission, but he didn’t stay
there more than a week. His written English was good, and he spoke it fairly
well, but he didn’t understand it at all. After a week, Major Hope, tired of
writing questions down for him on paper, sent him back to me. He was fairly
humiliated, but I bucked him up easily.
“Write about your
experience with the English mission in a comic tone,” I told him, before
assigning him to Diego’s platoon.
I next saw him dead,
together with five others, on the Valdivilla road, at around three the
afternoon of the twenty-fourth of February. I barely threw him a glance, saw he
had been stripped of his English sealskin boots: nothing more, because I had to
run after Diego, who wanted to kill himself. He blamed himself for everything.
He had gone to set up an ambush and had himself been ambushed. And he had lost
six men, the first of them Jerry.
I remembered the notebooks
only when we got back from burying him in the cemetery in Mango. I remembered
them and waited for Jerry’s executor to turn up. I didn’t expect it to be one
of his companions, since he had only superficial relationships with all of
them, but neither was I expecting the person who, three days after the burial, showed
up asking for me at the Mango command post.
It was a girl, eighteen
maybe. She was so physically shattered she didn’t spark the interest of the men
on duty. She was struggling to hold up a floppy rucksack. I knew her: it was
Paola, the daughter at the farmstead where Jerry had spent the winter after the
general dispersal and until the return to duty. Her relationship with Jerry
must have very close, at least on her part. She had an entire speech ready, but
not even the strength to begin it, so I spoke. I told her not about my talk
with Jerry but about my talks with Jerry and about my interest in his affairs.
All she did then was hand me the rucksack and leave, as shattered and as
unobserved as she had come.
*
There were six notebooks,
duly and tediously numbered. There were neither drawings nor sketches. The
handwriting was very steady and clear, and I was astonished: remembering the
frenzy Jerry wrote with, I’d been expecting to have to ruin my eyes. Instead,
it looked liked the fair copy of a dictation taken by a schoolboy of firm and
tireless hand.
 |
| Cover sheet to manuscript of "Partisan Notes, '44-'45" |
I started the real reading
at night. I was staying at an isolated farmstead a kilometer from town, in the
direction of Alba. My hosts were well off, and I could accept, without too many
scruples, the courtesies and kindnesses they were constantly showering me with.
I had a good bed, I had to get harsh to forbid the woman from putting a bed
warmer in it, and I had a large supply of candles. I could read for hours,
without pangs of conscience.
